Kills on Wheels (60th BFI London Film Festival Part I)

Usually, I gleefully await the arrival of my BFI London Film Festival programme in the post, highlighting all the films I would like to see before whittling them down to a good seven or eight titles that I will actually watch, work, money and being a single entity that can't be in two places at once allowing. But given that I've recently become a father, I can no longer make such selfish journeys to as many films as I may wish.

So, this year, I'm a little limited in the selections I've made, choosing films I definitely want to see, with the exception of Kore-eda Hirokazu's 'After the Storm', as I can't purchase sold out tickets. My first choice ended up being the Hungarian (my son's mother-tongue) film 'Kills on Wheels' (or 'Tiszta szívvel' if you're my wife - translating along the lines of something more like 'Pure Heart').

The English title is a bit simplistic and attempts to dumb down the film to make it more attractive for popcorn fodder. And, yes, while this is a film that involves people in wheelchairs that may or may not take the lives of some of Hungary's, and Serbia's, less law-abiding citizens, there is a bit more going on here than just that.

Rupaszov is a disabled former fireman, recently freed from prison for shooting a police officer when losing his way after an accident that left him paralysed from the waist down. Randomly, he befriends young Zolika and Barba, two disabled youths living in a care home. Taking them to a club to get drunk, he uses them as his assistants in his deeds for Serbian drug baron, Rados, under the belief that nobody would suspect a cripple.

Soon, Rupaszov's talent for picking-off Rados' enemies gains him a nice income and the Serbian offers him big money to take out his key rivals. But, on learning that his seated hitman has been using accomplices, Rados soon sets about making sure all three are 'taken care of.'

On the face of it, the premise is that of a low-level gangster movie, with the disabled element adding something of a twist. But with writer-director Atilla Till having volunteered in care homes; and with some of the leads and most of the extras disabled themselves, this is more a film about the lives of two young kids with disability trying to find their place in the world. Much like we all do at their age.

Zolika struggles to accept his estranged father's payment for his potentially life-saving operation, believing his disability is the cause of his parent's divorce. This leads to some quite personal scenes of novice actor Zoltan Fenyvesi. Rupaszov's physiotherapy is always accompanied by various disabled extras demonstrating rehabilitation methods in the background. But these physical challenges are played alongside more comical ones: Barba struggling to input the correct number at a vending machine; and Rupaszov unable to even flinch at being stabbed in the leg.

The true story of the film is Zolika and Barba's regular attendance at conventions in attempts to get the comic book they are working on published, as Zolika tries to come to terms with his situation. The English title looks at the more face-value aspects of the film, whereas the original Hungarian title fits much better thematically.

The Hungarian film I viewed at the London Film Festival last year, 'Son of Saul', was nominated, and went on to win, the Oscar for best foreign language film. 'Tiszta szívvel' is the Hungarian entry this time around, and probably won't reach the same heights, but is a strong offering tackling difficult subject matter.